
But what's wrong with that?
Paul Giamatti plays himself brilliantly in a role that makes you question if he's actually acting, or just hanging out at the set. Think a Woody Allen that's let himself go.
The overall mood is snugly existential and depressive, and the humor is murkily dark and dry. It might not be the greatest film anyone will ever see, but it's still full of fluffy moments that you can reminiscent about around the coffee machine at work, without it being so sweet it's something you watch only to please your spouse.
Overall a brilliant debut from director Sophie Barthes. Definitely a newcomer to watch out for.
IMDB
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